Stuart Semple b.1980 is a multidisciplinary British artist working across painting, sculpture, happenings, technology and activism. He is well known for his sociologically engaged works that often discuss youth politics, accessibility and democracy.
Although diverse in it’s presentation, Semple’s body of work orbits around a handful of recurring themes; anxiety, society, cultural history, technology, connection, community and freedom. Ultimately landing with a clear-minded sense of utility, that art itself should have a social function.
After studying fine art at the Yorkshire Sculpture Park, Semple’s works have been exhibited at numerous solo and group exhibitions, fairs and biennials and at institutions including The Barbican, ICA London, Goss Michael Foundation, Frieze, Art Basel Miami, Denver Art Museum and The Whitworth.
He has created large-scale public projects for cities including Melbourne, Dublin, London, Moscow and Manchester. His most ambitious was Happy City (2018) In which he created several large scale public interventions throughout Denver which was documented in the Amazon Prime documentary ‘Mr. Happy’.
Semple is well known for utilizing the internet as a performance space, via such projects as The Pinkest Pink and Blackest Black. CultureHustle.com is an ongoing project to liberate art materials and arguably one of the most enduring internet performances of all time.
Stuart is the founder of VOMA (the virtual online museum of art) and in 2021 opened the doors to his artist run gallery ‘Giant’ in Bournemouth exhibiting major international artists in a program of sociologically engaged curatorial shows.
Semple has presented for BBC TV and his 2019 ‘Hostile Design’ program for BBC Radio 4 was nominated for a radio academy award. He has written for The Guardian, Huffington Post, Vogue and held a weekly column for Art of England Magazine. His work has been featured in publications including Wired, Financial Times, GQ, Flash Art, ArtForum, Modern Painters, The Art Newspaper, New York Times, Architectural Digest and others.
Semple regularly speaks on art and mental health and has appeared at Denver Art Museum, Oxford University, Royal College of Art, The Southbank Center, The Whitworth, Frieze London and others.
On the first International Day of Happiness Stuart Semple was honoured by the UN with a Happiness Hero medal in recognition for his “HappyCloud” performance from Tate Modern in London.
Semple is an ambassador for mental health charity Mind, with whom he initiated the creative therapies fund throughout England and Wales.
CV
1980 |
Born in Bournemouth, England |
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2000 |
Active since |
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Now |
Lives in Glastonbury, works in Bournemouth & London. |
PROJECTS / INTERVENTIONS / HAPPENINGS / PERFORMANCE
2022 |
‘Something Else’, Dulwich Picture Gallery, London, UK |
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2020 |
‘HappyCloud’, HK Arts Center, Hong Kong |
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‘Artist Job Centre’, London, UK |
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2019- |
‘The PotShop’, Bournemouth, UK |
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2018 |
‘Happy City’, Various locations, Denver, US |
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‘HappyCloud’, Dever Art Museum, Denver US |
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2016- |
‘Pinkest Pink – Art Wars’, online |
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2017 |
‘HappyCloud’, Whitworth, Manchester UK |
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2013 |
‘JUMP’, Federation Square, Melbourne, Australia |
SOLO EXHIBITIONS
2023 |
‘D.A.B.A. – Destroy All Bad Art All is Joy, London, UK |
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2019 |
‘Dancing On My Own’, Bermondsey Project Space, London, UK |
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2018 |
‘Happiness HQ’, Dairy Block, Denver, US |
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2016 |
‘Untitled’, Lane Meyer Projects, Denver, US |
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2015 |
‘My Sonic Youth’, Fabien Castanier, Los Angeles, US |
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‘My Happy Place’, Coventry Centre of Contemporary Art, Coventry, UK |
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2014 |
‘Anxiety Generation’, Delahunty, London, UK |
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2013 |
‘Suspend Disbelief’, The Heritage Rooms, Victoria House, London, UK |
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‘Every Now And Then I Fall Apart’, ART13, London, UK |
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2012 |
‘Everlasting Nothing Less’ Galleria UNO+UNO, Milan, Italy |
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‘It’s Hard to be a Saint in this City’, The Space, Hong Kong, China |
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2010 |
‘The Happy House’, Morton Metropolis, London,UK |
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2009 |
‘Lipstick Vogue’, The Cat Street Gallery, Hong Kong, China |
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‘Everlasting Nothing Less’, Anna Kustera, New York, US |
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‘Born To Run’, Terminal Crociere, Bari, Italy |
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2008 |
‘Cult of Denim’ Selfridges, London, UK |
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‘Pop Disciple’ AUS18 Gallery, Milan, Italy |
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2007 |
‘Fake Plastic Love part I’ Truman Brewery, London, UK |
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‘Fake Plastic Love part II’ Martin Summers Fine Art, London, UK |
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2006 |
‘Epiphany’ Martin Summers Fine Art, London, UK |
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2005 |
‘Post Pop Paradise’ SKIT, London, UK |
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2002 |
‘Stolen Language’ The Art of Nancyboy A&D Gallery, London, UK |
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2000 |
‘Nancyboy Paintings’ Pause, London, UK |
SELECT GROUP EXHIBITIONS
2023 |
‘Wink Wink’ The Whitaker, UK |
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2022 |
‘Just Be Nice’, East Art Gallery, London, UK |
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2022 |
‘Nice to meet you’, America Bashi Gallery, Tokyo, Japan |
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2021 |
BUMS, Dio Horia, Mykonos, Greece |
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2018 |
Art for the Barbican, The Barbican Centre, London, UK |
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Face Value 2, Jealous Gallery, London, UK |
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2017 |
Love Arts Festival, Leeds City Art Gallery, Leeds, UK |
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Sick! Festival, Whitworth Art Gallery, Manchester, UK |
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2016 |
Skateboarts, Forum Kunst, Rotweil, Germany |
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An Infinitely beautiful Mind, The Knapp Gallery, London, UK |
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Gallery Artists, Fabien Castanier Pop-UP, Miami, US |
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Assemblage, Stolen Space, London, UK |
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Friends & Family, Fabien Castanier Gallery, Los Angeles, US |
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2015 |
Ghosts: How We Live in the Future, Fine Art Society Contemporary, London,UK |
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2014 |
The Macmillan De’Longhi Arts Programme, Pallant House, UK |
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Bad Boy, New Arts Projects, London, UK |
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Night At The Museum, Moscow, Russia |
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First Fortnight, Dublin, Ireland |
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2013 |
Articulate, Victoria Miro, London, UK |
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The Cloud, De Meerse, Hoofddorp, Netherlands |
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2012 |
Jahresringe, Schloss Wiesen, Germany |
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„ein weißes Feld“ sammlung FIEDE Collection, Germany |
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AKA Peace, ICA, London, UK |
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Echoes, Fine Art Society Contemporary, London. UK |
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2011 |
Polemically Small, Charlie Smith, London, UK |
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Mindful, Old Vic Tunnels, London, UK |
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Re:Define, Goss-Michael Foundation, Dallas, UK |
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Art HK11, Hong Kong, CN |
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Polemically Small, Torrance Art Museum, California, US |
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MOMAC, Gloustershire, Roberta Moore Contemporary, UK |
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Desire, Portman Gallery, London, UK |
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2010 |
The Metal Ball, Museum of Arts and Design, New York, US |
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Art HK10, Hong Kong, CN |
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Kate Brandt Pink, University of Wisconsin – Milwaukee, US |
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Nobody gets to see the Wizard. Not No One Not No How, Anna Kustera, NYC, US |
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2009 |
Scope Art Fair, Miami, US |
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Gold Rush, Roberta Moore Contemporary, London, UK |
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Pavilion of Art & Design, London, UK |
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Art HK09, Hong Kong, UK |
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2008 |
Ruby Green Foundation, Nashville, US |
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Signal 8, The Cat Street Gallery, Hong Kong, CN |
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Art Kessaris, Mykonos, Greece |
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Next Art Fair, Chicago, US |
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Art HK08, Hong Kong, CN |
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Romance, Kowalsky Gallery, London, UK |
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Bergamo Arte Fiera, Bergamo, Italy |
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Urbanity on Paper, Anna Kustera Gallery, NYC, US |
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2007 |
Do You Nomi, AUS18 Gallery, Milan Italy |
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Art Miami, Miami, US |
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Multiples 1, Architecture + Design Museum, Los Angeles, US |
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2006 |
I’ll Be Your Mirror, Primo Alonso Gallery, London, UK |
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Xiclet Gallery, Sao Paulo Biennial, Sao Paulo, Brazil |
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I’ll Be Your Mirror, Independents Biennial, Liverpool, UK |
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Irresistible Paint, A&D Gallery, London, UK |
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2005 |
Art of Love 2005, Oxo Gallery, London, UK |
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2004 |
International ArtExpo, Mexico |
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2003 |
Pop Culture’ Beatrice Royal, Hampshire, UK |
SELECTED BIBLIOGRAPHY
PRESS
2021 |
“Artist’s Studio, Stuart Semple”, Caiti Grove, Country & Town House, Oct 2021 |
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2019 |
“Dancing On My Own, Review”, Nathalie Olah, The Guardian, 30 Aug 2019 |
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“Art of Now – Hostile Design” , BBC Radio 4, Stuart Semple, September 2019 |
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“Hostile By Design”, Stuart Semple, Thiiird Magazine, Issue #4, July 2018 |
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2018 |
“BE HAPPY, Experience the unifying art of Stuart Semple”, Lee Sharrock, STATE, issue 27, 2018 |
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“Hostile Takeover – Who is welcome in our public spaces”, Big Issue, Liam Geraghty, Feb 2018 |
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“A Q&A with Stuart Semple”, Jack Hutchinson, A-N, February 2018 |
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“Stuart Semple launches campaign to eradicate hostile Design”, Anny Shaw, Art Newspaper, 31 Jan, 2018 |
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Interview with Stuart Semple, Bislacci, Assemblage Magazine, Jan 2018 |
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2017 |
“Art Wars! Who owns the new colour black”, Stuart McGurk, British GQ, August, 2017 |
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“Art Fight”, Adam Rogers, Wired, 22 June 2018 |
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“Fundido A Negro”, Stuart Semple, Vogue Espana, June 2017 |
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2016 |
“The Art of Infertility”, Matilda Battersby, The Independent, 26 August 2016 |
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“Stuart Semple Is Not Afraid To Be Bold”, Melissa Mellati, Flaunt Magazine, August 2016 |
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“The Art Of The Deal”, Suzanne Charle, Gotham, Summer 2016 |
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“Stuart Semple, My Sonic Youth – Review”, Shana Nys Dambrot. Jan/Feb 2016 |
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“Annish Kapoor is Banned From Buying The World’s Pinkest Paint”, Kevin Holmes, Vice, 10 November 2016 |
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2015 |
“Your Laptop Is A Masterpiece”, Dale Eisinger, The Daily Beast, 2 November 2015 |
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“The Interview: Stuart Semple”, Karim Khan, Hunger, 12 October 2015 |
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“Want To Buy Some Digital Art? Just Head To eBay” Thomas Gorton, Dazed & Confused, March 2015 |
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“Stuart Semple, Anxiety Generation – Review”, Jonathan R Jones, Modern Painters, February 2015 |
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2014 |
“What on earth would Leo Castelli have thought?”, Gareth Harris and Anny Shaw, The Art Newpaper, 03 December 2014 |
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“Voice Of An Anxiety Generation”, Danielle Richardson, Shortlist, Issue 351, 27th November 2014 |
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“Where to buy…”, Digby Warde-Aldam, The Week, 22 November 2014 / Issue 998 |
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“The Cultural Provocateur” Alex Christian & Louise Donovan Shortlist The Brit List Issue Issue 350 / 20th November 2014 |
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Stuart Semple’s private view’ Tatler, 18th November 2014 |
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Pop Goes the Paining’ Cristina Ruiz, Vanity Fair : On Art, November 2014 |
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Semple’s Mind’ Lorna Davies, Mayfair Times The Art Issue, October 2014 |
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Cloudy with a chance of artistic smiley faces’, Aidan Dunne, The Irish Times, 6th January 2014 |
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2013 |
Personal style: Stuart Semple As told to David Hayes’, Financial Times, 19th October 2013 |
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Stuart Semple’ Jacopo Nuvolari, 1883, Issue 9 Summer 2013 |
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The Interview: Stuart Semple’ Karim Khan, Hunger, 28th February 2013 |
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Sometimes Ideas Don’t Need Huge Platforms To Work’ Theodora Barker, IDOL, S/S Issue 2013 |
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2012 |
draw with words, paint with frames, be a poet of art’, Veronica Renato, Muse Magazine |
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Art of Darkness’, Paul Croughton, The Sunday Times Magazine |
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Stuart Semple’ Ysabelle Cheung, Time Out |
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Stuart Semple on how it’s Hard to be a Saint in this City,’ Mary Agnew, ARTINFO China |
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Stuart Semple’, Leanne Mirandilla, HK Magazine |
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2011 |
Write On!’ Stephanie Hirschmiller, HarpersBazar.com |
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Future Girl’ Roxane Mesquida x Stuart Semple, Filler |
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2010 |
Lady Gaga x Stuart Semple : Pop Hybrid’, WestEast Magazine |
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Semple collection inspired by mental Britain’, BBC News, Jane Witherspoon |
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I’m Afraid To Swallow’, The Evening Standard, Liz Hoggard |
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Stuart Semple, Morton Metropolis’, The Arts Desk, Josh Spero |
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Popular Culture and the Aesthetic Discourse’, Aesthetica, Cherie Federico |
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Commenti al moto contemporaneo’, Italian Vogue, Leonardo Clausi |
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Semple Pleasures’, Live City & Islington, Mark Kebble |
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Stuart Semple’ The New Order, Yasmin Bryce |
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Pop Matters’ Filler, Jennifer Lee |
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2009 |
The New Face of Brit Art’ Kee Magazine, Rachel Duffell |
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Semple Pleasures’ Esquire |
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London Calling’ Prim, Kristin Ferrandino |
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An Exhibition on the Implosion of Popular Culture’ Aesthetica, Cherie Federico |
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Painting Through A Complex Lens’ L’UOMO Vogue, Alan Prada |
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Storm Clouds Give Way to Smileys over London’ The Times, Kaya Burges |
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Oltre Il Pop’ Urban, Giovanni Cervi |
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Playing With Art and it’s Symbols’ L’UOMO Vogue, Alan Prada |
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2008 |
Stuart Semple: Keeping the Brit Art Flag Flying ’ Palladium, Catherine Wheatley |
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Duck Toy’ La Repubblica, Alessandro Retico |
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20 Best up-and-coming Artists’ Independent, Alice Jones |
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Does my art look big in this?’ The Independent on Sunday, Rachel Shields |
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Stuart Semple and the Limitless Language of Art’ Zoot, Andrea Probosch |
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Stuart Semple’ Blag, Sarah J. Edwards |
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Pop Art & Mass Culture’ Aesthetica, Niamh Coghlanr |
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Stuart Semple’ Exhibart, Marta Silvi |
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Giovane Inglese, Pittore New Wave’ Arte, Cristina Campanini |
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Golden Pop’ Elle Italia, Pia Capelli |
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Paint It Bleak’ ARTnews, Eric Bryant |
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2007 |
Stuart Semple’ Zoot, Matt Hussey |
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Stuart Semple; 80s influences & popular youth culture’ Aesthetica, Shona Fairweather |
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Neopop’ Arte, Pia Capelli |
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Io Che Mixo Gli Ottanta’ D Magazine, Le Repubblica, Leonora Sartori |
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Fake Plastic Love’ Financial Times, Peter Aspden |
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Stuart Semple’ Art of England, Pam Bates |
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The Black Market’ Saachi Online, Doug McClemont |
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East End Boy’ Attitude, Caroline Smith |
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Generation Now’ WGSN.com, Milly Glaister |
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Semple Things’ Angel Magazine, Mark Kebble |
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2006 |
Let The Show Begin’ Tatler, Clare Milford Haven |
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Bright Young Thing’ Harpers Bazaar, Francesca Martin |
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2005 |
Burn Paradiso Burn’ Pig, Giovanni Cervi |
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2004 |
New Art Rises’ Sunday Telegraph, Charlotte Edwardes |
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RIP YBA’ The Art Newspaper, Louisa Buck |
CURATORIAL PROJECTS
2021 |
‘CRASH’, Giant, Bournemouth, UK |
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2013 |
I’ll Be Your Mirror, Eb & Flow Gallery, London, UK |
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2011 |
Mindful, Old Vic Tunnels, London, UK |
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2010 |
This Is England’, Galleria Uno+Uno, Milan, Italy |
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Uber Collision: Epic Fail’, Idea Generation Gallery, London (curated by Stuart Semple & Harry Malt) UK |
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Bazooka- Kiki & Loulou Picasso’ Aubin Gallery, London, UK |
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This Is England’, Aubin Gallery, London, UK |
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2009 |
London Loves the way things fall apart’, Galleria Aus18, Milan (curated by Stuart Semple & Cecilia Antolini) Italy |
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2008 |
Mash-Ups – post pop fragments and detournements’ Kowalsky Gallery, London, UK |
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2007 |
The Black Market’ Anna Kustera Gallery, NYC (curated by Stuart Semple & Ju$t Another Rich Kid), US |
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2001 |
Non Compos Mentis’ Adlib Gallery, Wakefield, UK |
COLLABORATIONS
2018 |
L’Oreal Professional |
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2015 |
Bugari | Design Hotels |
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2015 |
Placebo | Bulgari | Rolls Royce |
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2014 |
Top Sante | Castor srl, Lubiam & Pasotti Ombrelli |
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2013 |
My Beautiful City | Westfield |
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2012 |
Aubin & Wills | BT & Harvey Nichols | Gary Numan | Blag |
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2011 |
Smeg | Aubin & Wills | Amnesty International |
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2010 |
The Futureheads | West East Magazine | Lady Gaga |
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2009 |
Moncler | The Prodigy | Muse | Umbro |
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2008 |
Selfridges | Levis | Diesel | 7 for all Mankind | Evisu | Subliminal Girls | |
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2007 |
NoiWear | Stimuli Magazine (with Ju$t Another Rich Kid) |
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2005 |
Ju$t Another Rich Kid |
EXHIBITION PUBLICATIONS
2015 |
ʻMy Sonic Youthʼ, Fabien Castanier |
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2014 |
Anxiety Generation’ Publisher: The Antithesis |
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Think Pink’ Publisher: The Antithesis |
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2013 |
Suspend Disbelief’ Publisher: The Antithesis |
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2012 |
Jahresringe Schloss Wiesen’, Friedrich Gräfling |
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2012 – 2014 |
Macmillan De’Longhi Arts Auction |
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It’s Hard to be a Saint in this City’, The Space |
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2011 |
Mindful, Old Vic Tunnels |
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Re:Define, Goss-Michael Foundation |
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2010 |
The Happy House’, Morton Metropolis |
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2009 |
Born To Run’, Bari Terminal Crociere |
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2008 |
Pop Disciple’, Aus18 Gallery, VanillaEdizioni |
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2007 |
Bergamo Arte Fiera’, VanillaEdizioni |
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Fake Plastic Love’, Martin Summers Fine Art |
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2006 |
Epiphany’, Martin Summers Fine Art |
PUBLICATIONS
2015 |
My Happy Colouring Flip Book by Stuart Semple, Bigger Ltd, UK |
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2014 |
This Is Our Time, Cat Garcia, UK |
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2012 |
Pop Psychedelic, BigBros Workshop, Last Gasp |
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2011 |
Psychonauts, Sailors Of The Psyche’, Beautiful/Decay Book, USA |
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The Joyce Handbook, first edition, HK |
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2009 |
Creative Space: Urban Homes of Artists and Innovators’, Francesca Gavin, Lawrence King, UK |
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2007 |
Playground 1, Zach Gold & Julie Ragolia, NYC |
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2006 |
300% Cotton, Lawrence King Publishing, UK |